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August 18, 2014

Artists Selected for 2014/15 Native American Artist-in-Residence Program

Filed under: What's New — Lori Williamson @ 10:30 am


The Minnesota Historical Society has recently awarded three six-month paid residencies to artists Jessica Gokey, Pat Kruse and Gwen Westerman. Each artist works in a traditional media, which together represent many of the major historical art forms of the region: beadwork, birchbark, and textiles (ribbonwork).

These residencies were created to provide opportunities for artists to use collections at MNHS, as well as at other institutions, in order to develop their respective art forms. These residencies, while rooted in historical research, are designed to provide a platform for artists to move their art forward. While in residence, each of these artists will continue to develop research and community outreach plans that delve deeply and broadly into their communities, to gain new knowledge and to share their expertise.

Jessica Gokey, is a beadwork artist who lives in the Lac Courte Oreilles (LCO) community in Hayward, Wisconsin. She has been beading for more than ten years and shares her knowledge with members of the community by teaching at the LCO Ojibwa Community College. Gokey believes that sharing her “knowledge of traditional Ojibwe beadwork will help preserve the art of beadwork for future generations.” She plans on researching the extensive bandolier bag and other beadwork collections.


Pat Kruse, a birch bark artist who lives in the Mille Lacs community in Minnesota, has been working with birch bark for more than 30 years. Kruse creates birch bark products “to honor the old ways and the ancestors that practiced these ways.” He will research the birch bark collections and continue to build an apprentice relationship with his son, in order to pass on this traditional knowledge.

Gwen Westerman, Sisseton Wahpeton Oyate, is a textile artist who lives in Good Thunder, Minnesota. As a member of the six generations of women in her family who have made quilts, she sees quilts as having not only a utilitarian function but also as containing stories. Westerman has been expanding her textile arts with other traditional art forms to “find new ways to tell our stories.” She plans on researching and revitalizing traditions of Dakota ribbonwork.

The Artists-in-Residence were selected based on the recommendations of a panel consisting of experts in the field of Native American arts and culture. The panel members are Sasha Brown (Santee Dakota), Joe Horse Capture (A’aninin Tribe of Montana) and Scott Shoemaker (Miami Nation).

The Native American Artist-in-Residence program is made possible in part by a grant from the Margaret A. Cargill Foundation.

Rita Walaszek, Collections Assistant
Ben Gessner, Native American Artist-in-Residence Program Coordinator

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