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Manuscript Sermons by the Right Rev. H. B. Whipple, D.D., LL. D., Bishop of Minnesota

Wednesday, April 22nd, 2009

The oratory skills of Minnesota’s first Episcopal Bishop, Henry Benjamin Whipple, were highly regarded in the U.S. and abroad.  A recent donation gives readers the opportunity to read selected sermons written by Whipple with quill pen and ink.   This volume provides the opportunity to leaf through many pages of Whipple’s flowery hand and experience the energizing tone of this man’s oratory.

With the acquisition of this volume the Society now holds a fine complement to the official Episcopal Diocese of Minnesota records and the Henry B. Whipple papers.  This custom bound volume contains original manuscript versions of sermons given by Whipple between 1888 and 1889.  It was assembled by him and presented to the Library of the Bishop Seabury Divinity School, Faribault, 1889.  The sermons illustrate church politics as well as illuminate Whipple’s historical knowledge, biblical scholarship, and his regard for people of many cultures and national origins.

In this role as Episcopal Bishop of Minnesota, Whipple was required to attend annual church conventions across the United States. An avid traveler, Whipple frequented his home state of New York and made regular visits to Washington, D. C., for meetings relating to Indian policies.  After 1862, Henry Whipple gained notoriety as an advocate for American Indians. As an advisor to four presidents over 40 years, Whipple’s opinion carried great weight in the eastern states-often more so than in Minnesota.

Marcia Anderson, Senior Curator

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The Ramsey Piano

Wednesday, April 8th, 2009

Cindy Olsen, Acting Site Manager at the Alexander Ramsey House, discusses conservation work recently done to the house’s 1872 Steinway grand piano, and the unusual circumstances involved in the preservation of a musical instrument. Pianist Jeremy Roth accompanies her comments with Bach’s “Prelude in C Major.”

 
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North Shore Prints

Friday, April 3rd, 2009

Louis Orr, Duluth c.1920Dewey Albinson, Lake Superior Fish Houses, ca. 1925
This past winter I organized the exhibition Minnesota Prints and Printmakers, 1900-1945 which is on view at the James J. Hill House through the spring and summer of 2009. The exhibition of over 50 prints by 42 artists explores an exciting chapter in the history of art making in Minnesota. This period witnessed a revival of the centuries old etching process followed by the introduction of New Deal era innovations in color lithography and serigraphy. Minnesota Prints and Printmakers celebrates the genius of the artists working between 1900 and 1945.

It was a joy to review many of the society’s collection of more than 800 prints from this time period. One subject that emerged as a favorite were etchings and engravings of Duluth and the North Shore. Just as it does today, the shores of Lake Superior attracted artists in the first half of the 20th century. Included are five of my favorite images that are in the exhibition.

Caleb Winholtz, Fisherman’s Shack, c.1940George Resler, Fisherman at Duluth, 1933-34

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Knute Heldner, Duluth Waterfront, c. 1925“Stormy Channel”, William Norman c. 1939

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An Ounce of Preservation: A Guide to the Care of Papers and Photographs