Archived Posts from this Category
Archived Posts from this Category
Did you know that the Minnesota Historical Society Press is a member of the Association of American University Presses (AAUP)? In recognition of University Press Week, today’s post is by MNHS Press editor Josh Leventhal.
A favorite activity on social media, and particularly Facebook, is posting old photos, articles, or other items that evoke days gone by. Whereas nowadays a photo is posted for all the world to see the minute it’s taken, photos that were taken decades ago have to be dug out of an old shoe box or photo album, scanned, and then uploaded to the digital world of the internet.
When Mike Evangelist revisited the photos he had taken as a teenager of downtown Minneapolis during the early 1970s—photos that had been all but forgotten for forty years—and began posting them to the “Old Minneapolis” community on Facebook, the response was enthusiastic. Images showing local businesses long since replaced by chain stores; classic buildings that are today shadowed by modern skyscrapers; funky fashions now worn only by young hipsters evoking a time they did not experience themselves; and the overall look and vibe of Minneapolis in the ‘70s sparked many thoughtful reminiscences and lively discussion. “Oh, I remember. . .” or “Whatever happened to . . . ?”
This fascination with reliving, or perhaps reimagining, the past through old photos is on display in a new book of Mike’s photography, Downtown: Minneapolis in the 1970s, published by MNHS Press. With accompanying text by writer and artist Andy Sturdevant providing historical context and contemporary perspectives, the nearly 200 color and black-and-white photos in the book depict a city both foreign and familiar.
Many identifiable landmarks are evident, and even some of the people featured in the images appear as if they could be dropped into the downtown Minneapolis of 2015 and look right at home, albeit with a throwback style. But, for the most part the photos tell of a city that was undergoing a transformation forty years ago, with new modern office buildings rising to the sky and elevated skyways crisscrossing the downtown streets. Their days numbered, independent retailers, restaurants, and movie theaters—now all since disappeared—were holding on to their places in the commercial landscape. The classic ’70s cars, the bell-bottom pants, the hairstyles, and other fashions all capture this distinct moment in the city’s history.
It was an interesting experiment, of sorts, to see how images and subjects that had inspired such avid reactions on social media would translate to the printed pages of a book. Would the people who “liked” and commented on the images on Facebook go the extra step of purchasing the book? Did the fleeting posts on Old Minneapolis satisfy the viewer’s intrigue?
The book has been out for only a few weeks, but if the response to the book’s launch event—being held this evening at the Mill City Museum in, of course, downtown Minneapolis to kick off an exhibit of Mike’s photos—is any indication, the experiment worked. With nearly 1,800 people responding with positive RSVPs—for a space that holds roughly 700 people—the event’s hours had to be extended and extra copies of the book brought on hand.
Downtown offers a throwback look at an earlier time through stunning photos and the special characters—and the distinctive character of a city—they capture. The book is also a twenty-first-century reflection of the immediacy and impact of social media for sharing photos and memories and for bringing people together, both virtually and in person, to celebrate those recollections.
The Minnesota Historical Society Press is pleased to announce My Grandfather’s Knocking Sticks: Ojibwe Family Life and Labor on the Reservation by Brenda J. Child as the winner of the Jon Gjerde Prize for the best book in midwestern history published in 2014 as awarded by the Midwestern History Association.
My Grandfather’s Knocking Sticks explores the innovative ways Ojibwe men and women on reservations around the Great Lakes sustained both their families and their cultural identity in the face of extreme prejudice and hardship. Brenda J. Child is professor of American Studies at the University of Minnesota and author of two other books, Boarding School Seasons: American Indian Families, 1900-1940 and Holding Our World Together: Ojibwe Women and the Survival of Community.
My Grandfather’s Knocking Sticks is also the winner of the Labriola Center American Indian National Book Award.
The mission of the Midwestern History Association is to promote the study of the history of the American Midwest by way of organizing and supporting academic discussions and conference presentations and panels related to the region’s history and culture.
Jon Gjerde was professor of American History at the University of California at Berkeley and distinguished historian of immigration and European-American ethnic groups in the Middle West. He completed his doctorate at the University of Minnesota.
More information on the Star Tribune “On Books” blog.
Today’s post is by Sara DeLuca, author of The Crops Look Good: News from a Midwestern Family Farm. Sara will be touring Wisconsin later this month. (Click on the title link for her event schedule, media interviews, and book club guide.)
This photo of me with my granddaughter, Emma Drury, was taken at Folsom House in Taylors Falls, Minnesota, on April 25, 2015. We were celebrating the recent publication of my book, The Crops Look Good: News from a Midwestern Family Farm. Based on a collection of family letters, the book is an intimate portrayal of family farm life in the region – first-person history, written as it was being lived. My mother’s letters to her eldest sister, beginning when she was seven and continuing throughout middle age, make a significant contribution to the story.
The Folsom House event on April 25 was very special to me, for several reasons.
Fifteen-year-old Emma planned and hosted my reading in this gracious home, built in 1855 by lumberman, historian, and Minnesota state senator W. H. C. Folsom. Five generations of the Folsom family occupied the house, which still contains their original furnishings, library, and personal effects. It is now operated by the Taylors Falls Historical Society, in partnership with the Minnesota Historical Society.
My parents, Harvey and Helen Hellerud, who farmed for decades in Polk County, Wisconsin, retired in 1976 and moved across the St. Croix River to Taylors Falls. As an accomplished pianist, my mother entertained Folsom House visitors on the Hews rectangular grand piano (shown in the background of this photo) on many occasions. She also served as a volunteer guide during the 1980s and 1990s. Her affiliation with the Taylors Falls Historical Society was a great joy to her during many productive years of retirement.
Now Helen Hellerud’s great-granddaughter Emma is volunteering at this beautifully preserved historic site. And I have enjoyed the privilege of sharing my book about a place that has been important to my family and history lovers throughout the Upper Midwest.
Here is a poem I wrote ten years ago, in recognition of a rich heritage, a craving for deep identity, and our interwoven lives.
We find a bright, prolific crops of dandelions
splashing the vacant lot behind my mother’s house.
She’s eighty-nine this spring, but she remembers being nine,
braiding yellow heads and milky stems, crowning
and necklacing herself with blooms.
Now she demonstrates for me
and for my grandchild Emma – six years old –
how you can braid an ornamental rope from flowers.
The trick, my mother says,
is working three stems at a time, all different lengths.
When one runs out you splice a new one in its place –
that way you never break the chain.
Emma plops down in the deep wet grass.
Mom squats. I kneel
between the generations.
We laugh at rough beginnings, ragged endings,
but we persevere. We practice,
practice till we get it right, Emma, Mom and me,
our heads bent low, lost
in a field of yellow tassels.
When our circles hold
and crown each other with our handiwork.
CIVIL WAR HOMECOMING
Saturday, March 28 at 7:00 P.M.
The year 1865 saw inauguration, abolition, armistice, assassination, grief, celebration and reunion. The brand-new frontier state of Minnesota mourned and commemorated along with the rest of the nation. Minnesotans celebrated the return of the troops and got down to the business of building railroads and cities, sprinkling the countryside with farms and lumber camps and welcoming immigrants by the tens of thousands.
Dan Chouinard and an all-star group of friends gather to paint a Minnesota portrait of the times through songs, letters and newspaper accounts, in Civil War Homecoming. This live show at the Fitzgerald Theater on Saturday, March 28 is a co-production of the Minnesota Historical Society, MPR and the Minnesota Civil War Commemoration Task Force.
Featuring Kevin Kling, Maria Jette, T Mychael Rambo, Prudence Johnson, members of the Roe Family Singers, and the Brass Messengers as well as Eric Jacobson, Annette Atkins, Gwen Westerman, Mark Ritchie, Dean Urdahl, Pat Bauer and David Geister.
Additional information available here.
Interested in learning more about Minnesota and the Civil War? Visit www.mnhs.org/civilwar
What was Santa doing in Minneapolis fifty-three years ago? Why spreading cheer in the Sky Room at Dayton’s in Minneapolis, of course! Here he is at the store’s children’s breakfast on December 13, 1961.
This photograph, along with many other charming images of children in Minnesota, is featured in Wishing for a Snow Day : Growing Up in Minnesota by Peg Meier. Digging through letters, diaries, reminiscences, newspaper columns, and plenty of photographs, Meier unearthed a wealth of material left by Minnesotans who took the time to write, whether as children in the moment or as adults looking back.
C-SPAN’s Cities Tour recently visited St. Paul, profiling various literary and historic sites and interviewing local historians and authors. Featured segments were broadcast on BOOK-TV and American History TV and can be viewed via the hyperlink above.
Minnesota Historical Society staff as well as MNHS Press authors Paul Maccabee, Dave Page, and Adam Scher helped C-SPAN share the stories of the Capital City’s rich historical and literary past.
BOOK-TV features include:
F. Scott Fitzgerald in St. Paul with Dave Page, co-editor of The St. Paul Stories of F. Scott Fitzgerald
Cultural History of St. Paul via the Minnesota Historical Society’s Gale Family Library with Patrick Coleman, acquisitions librarian
The Nazi and the Psychiatrist by Jack El-Hai
The Latehomecomer: A Hmong Family Story by Kao Kalia Yang
A profile of indie bookstore Common Good Books
Poet Laureate Carol Connolly
American History TV stories include:
The Minnesota State Capitol with historic site manager Brian Pease
Gangster History in St. Paul with Paul Maccabee, author of John Dillinger Slept Here
Early Life and Career of F. Scott Fitzgerald with Dave Page
Toys of the ’50s, ’60s, & ’70s with author and curator Adam Scher
Minnesota in the ’70s, our documentary co-produced with Twin Cities Public Television’s Minnesota Productions & Partnerships (tptMN), is nominated for a 2014 Upper Midwest Emmy® Award by the Upper Midwest Chapter of the National Academy of Television Arts & Sciences in the Historic/Cultural/Nostalgic category!
More about the project:
The 1970s were more than big hair, mirror balls, and leisure suits. These were the years that bridged the chasm between the anti-establishment tumult of the 1960s and the morning-in-America conservatism of the 1980s. In Minnesota, this evolution unfolded in ways that defied expectations. No longer was Minnesota merely a vague, snow-covered outpost in the American consciousness. It was a place of note and consequence—a state of presidential candidates, grassroots activism, civic engagement, environmental awareness, and Mary Tyler Moore. Its governor appeared on the cover of Time magazine. Its city skylines shot up with uncharacteristic immodesty. Its farmers enjoyed some of their best years ever. Minnesota forged an identity during the 1970s that would persist, rightly or wrongly, for decades to come.
This is the second nomination for an MNHS Press/tptMN co-production. Last year, our Asian Flavors documentary won an Upper Midwest Emmy® in the Cultural category!
We are pleased to announce that four MNHS Press authors have received an Award of Merit from the American Association for State and Local History (AASLH) Leadership in History Awards. The AASLH Leadership in History Awards, now in its sixty-ninth year, is the most prestigious recognition for achievement in the preservation and interpretation of state and local history.
Our winners are:
Clifford Canku and Michael Simon for The Dakota Prisoner of War Letters: Dakota Kaŝkapi Okicize Wowapi
Dave Kenney and Thomas Saylor for Minnesota in the ’70s
The Minnesota Historical Society also received Awards of Merit for three other projects: The Dred Scott Family and the National Debate over Slavery program, Play the Past, and Northern Lights: The Stories of Minnesota’s Past.
This year, AASLH is proud to confer seventy-seven national awards honoring people, projects, exhibits, books, and organizations. The winners represent the best in the field and provide leadership for the future of state and local history. Presentation of the awards will be made at a special banquet during the 2014 AASLH Annual Meeting in St. Paul, Minnesota, on Friday, September 19. The banquet is supported by a generous contribution from the History Channel.
The AASLH awards program was initiated in 1945 to establish and encourage standards of excellence in the collection, preservation, and interpretation of state and local history throughout the United States. The AASLH Leadership in History Awards not only honor significant achievement in the field of state and local history but also bring public recognition of the opportunities for small and large organizations, institutions, and programs to make contributions in this arena.
The American Association for State and Local History is a not-for-profit professional organization of individuals and institutions working to preserve and promote history. From its headquarters in Nashville, Tennessee, AASLH provides leadership, service, and support for its members who preserve and interpret state and local history in order to make the past more meaningful in American society. AASLH publishes books, technical publications, a quarterly magazine, and a monthly newsletter. The association also sponsors regional and national training workshops and an annual meeting.
Minnesota History authors Greg Gaut and Marsha Neff have won the biennial David Stanley Gebhard Article Award for “Downsizing the Public Realm: Building and Razing Winona’s Grand Post Office,” which appeared in the magazine’s Summer 2013 issue. Issued by the Minnesota chapter of the Society of Architectural Historians, the award considers articles focusing on some historical aspect of the built environment and published between July 1, 2011, and June 30, 2013.
“Buildings ultimately represent the values of the creators,” the authors say. “Public buildings, in particular, reflect the political, economic, and cultural priorities of the societies that construct them.” “Downsizing” clearly makes that case. In 1891, the city of Winona proudly dedicated its imposing Romanesque-style stone post office, after citizens had convinced the federal government to enlarge its initial building plans, increase the budget, and spring for more expensive materials. In the 1950s, businessmen, led by the Chamber of Commerce, launched the fight–which they ultimately won–to tear down that “old fashioned monument” and erect a modern, one-story, no frills post office, taking out a city park to do so. The park was deemed a luxury and the new building “a fresh, clean look for a fine old city.” Two eras, two buildings, and a seismic shift in understanding the public realm.
A three-judge panel selects the winning article from a minimum of five submissions. Gaut and Neff won the same award in 2008 for their work on the successful fight to preserve Winona’s county courthouse.
When Prohibition shuttered saloons, thirsty law-abiding citizens turned to soda fountains for sustenance and entertainment. Parlor owners developed concoctions to suit every taste—and to keep their counters and tables full.
Soda Shop Salvation: Recipes and Stories from the Sweeter Side of Prohibition (a finalist for a Minnesota Book Award) gives readers a taste of this turbulent time, and a few recipes for romance.
Excerpt from Soda Shop Salvation:
Love at the Soda Shop
“The soda fountain often plays an important part in fanning the flame of love . . . Many fountain owners are finding there is a great demand for drinks with names like kiss me again, some day, soul kiss, lover’s delight [. . .] what better could quicken a bashful lover than to have his coy companion say I would like a soul kiss wouldn’t you, John?” —The Soda Fountain, December 1921
Cupid Delight Sundae
1 (1/2-inch) slice vanilla ice cream
3 tablespoons crushed pineapple
3 cubes canned or fresh pineapple
4 maraschino cherries
3 tablespoons crushed strawberries
2 Thin Walnut Wafers (see book for recipe)
Cut the ice cream in half across the long edge and place the two slices side by side on a plate. Pour the crushed pineapple over one slice and top with the pineapple cubes arranged in a circle with 1 cherry in the center. Pour the strawberries over the other ice cream slice and arrange the remaining 3 cherries in a circle on top of it. Put the wafers on the side and serve with two spoons.
1 large scoop vanilla ice cream
1 1/2 ounces (3 tablespoons) strawberry syrup
1 tablespoon cinnamon heart-shaped candies
Put the ice cream in a sundae dish and pour the syrup over the top. Sprinkle with the cinnamon candies.
1 large scoop maple nut ice cream
1 ounce (2 tablespoons) Hot Chocolate Fudge Sundae Sauce
2 tablespoons shredded coconut
whipped cream for topping
walnut-stuffed date for garnish
Put the ice cream in a sundae dish. Drizzle with the chocolate sauce and sprinkle with coconut. Top with whipped cream and garnish with the stuffed date.
“In the spring a young man’s fancy lightly turns to thoughts of love, while the young woman’s fancy yearningly turns to ice cream sodas. Better cater to her fancy.” —The Soda Fountain, March 1921