Archived Posts from this Category
Archived Posts from this Category
C-SPAN’s Cities Tour recently visited St. Paul, profiling various literary and historic sites and interviewing local historians and authors. Featured segments were broadcast on BOOK-TV and American History TV and can be viewed via the hyperlink above.
Minnesota Historical Society staff as well as MNHS Press authors Paul Maccabee, Dave Page, and Adam Scher helped C-SPAN share the stories of the Capital City’s rich historical and literary past.
BOOK-TV features include:
F. Scott Fitzgerald in St. Paul with Dave Page, co-editor of The St. Paul Stories of F. Scott Fitzgerald
Cultural History of St. Paul via the Minnesota Historical Society’s Gale Family Library with Patrick Coleman, acquisitions librarian
The Nazi and the Psychiatrist by Jack El-Hai
The Latehomecomer: A Hmong Family Story by Kao Kalia Yang
A profile of indie bookstore Common Good Books
Poet Laureate Carol Connolly
American History TV stories include:
The Minnesota State Capitol with historic site manager Brian Pease
Gangster History in St. Paul with Paul Maccabee, author of John Dillinger Slept Here
Early Life and Career of F. Scott Fitzgerald with Dave Page
Toys of the ’50s, ’60s, & ’70s with author and curator Adam Scher
Minnesota in the ’70s, our documentary co-produced with Twin Cities Public Television’s Minnesota Productions & Partnerships (tptMN), is nominated for a 2014 Upper Midwest Emmy® Award by the Upper Midwest Chapter of the National Academy of Television Arts & Sciences in the Historic/Cultural/Nostalgic category!
More about the project:
The 1970s were more than big hair, mirror balls, and leisure suits. These were the years that bridged the chasm between the anti-establishment tumult of the 1960s and the morning-in-America conservatism of the 1980s. In Minnesota, this evolution unfolded in ways that defied expectations. No longer was Minnesota merely a vague, snow-covered outpost in the American consciousness. It was a place of note and consequence—a state of presidential candidates, grassroots activism, civic engagement, environmental awareness, and Mary Tyler Moore. Its governor appeared on the cover of Time magazine. Its city skylines shot up with uncharacteristic immodesty. Its farmers enjoyed some of their best years ever. Minnesota forged an identity during the 1970s that would persist, rightly or wrongly, for decades to come.
This is the second nomination for an MNHS Press/tptMN co-production. Last year, our Asian Flavors documentary won an Upper Midwest Emmy® in the Cultural category!
We are pleased to announce that four MNHS Press authors have received an Award of Merit from the American Association for State and Local History (AASLH) Leadership in History Awards. The AASLH Leadership in History Awards, now in its sixty-ninth year, is the most prestigious recognition for achievement in the preservation and interpretation of state and local history.
Our winners are:
Clifford Canku and Michael Simon for The Dakota Prisoner of War Letters: Dakota Kaŝkapi Okicize Wowapi
Dave Kenney and Thomas Saylor for Minnesota in the ’70s
The Minnesota Historical Society also received Awards of Merit for three other projects: The Dred Scott Family and the National Debate over Slavery program, Play the Past, and Northern Lights: The Stories of Minnesota’s Past.
This year, AASLH is proud to confer seventy-seven national awards honoring people, projects, exhibits, books, and organizations. The winners represent the best in the field and provide leadership for the future of state and local history. Presentation of the awards will be made at a special banquet during the 2014 AASLH Annual Meeting in St. Paul, Minnesota, on Friday, September 19. The banquet is supported by a generous contribution from the History Channel.
The AASLH awards program was initiated in 1945 to establish and encourage standards of excellence in the collection, preservation, and interpretation of state and local history throughout the United States. The AASLH Leadership in History Awards not only honor significant achievement in the field of state and local history but also bring public recognition of the opportunities for small and large organizations, institutions, and programs to make contributions in this arena.
The American Association for State and Local History is a not-for-profit professional organization of individuals and institutions working to preserve and promote history. From its headquarters in Nashville, Tennessee, AASLH provides leadership, service, and support for its members who preserve and interpret state and local history in order to make the past more meaningful in American society. AASLH publishes books, technical publications, a quarterly magazine, and a monthly newsletter. The association also sponsors regional and national training workshops and an annual meeting.
Minnesota History authors Greg Gaut and Marsha Neff have won the biennial David Stanley Gebhard Article Award for “Downsizing the Public Realm: Building and Razing Winona’s Grand Post Office,” which appeared in the magazine’s Summer 2013 issue. Issued by the Minnesota chapter of the Society of Architectural Historians, the award considers articles focusing on some historical aspect of the built environment and published between July 1, 2011, and June 30, 2013.
“Buildings ultimately represent the values of the creators,” the authors say. “Public buildings, in particular, reflect the political, economic, and cultural priorities of the societies that construct them.” “Downsizing” clearly makes that case. In 1891, the city of Winona proudly dedicated its imposing Romanesque-style stone post office, after citizens had convinced the federal government to enlarge its initial building plans, increase the budget, and spring for more expensive materials. In the 1950s, businessmen, led by the Chamber of Commerce, launched the fight–which they ultimately won–to tear down that “old fashioned monument” and erect a modern, one-story, no frills post office, taking out a city park to do so. The park was deemed a luxury and the new building “a fresh, clean look for a fine old city.” Two eras, two buildings, and a seismic shift in understanding the public realm.
A three-judge panel selects the winning article from a minimum of five submissions. Gaut and Neff won the same award in 2008 for their work on the successful fight to preserve Winona’s county courthouse.
When Prohibition shuttered saloons, thirsty law-abiding citizens turned to soda fountains for sustenance and entertainment. Parlor owners developed concoctions to suit every taste—and to keep their counters and tables full.
Soda Shop Salvation: Recipes and Stories from the Sweeter Side of Prohibition (a finalist for a Minnesota Book Award) gives readers a taste of this turbulent time, and a few recipes for romance.
Excerpt from Soda Shop Salvation:
Love at the Soda Shop
“The soda fountain often plays an important part in fanning the flame of love . . . Many fountain owners are finding there is a great demand for drinks with names like kiss me again, some day, soul kiss, lover’s delight [. . .] what better could quicken a bashful lover than to have his coy companion say I would like a soul kiss wouldn’t you, John?” —The Soda Fountain, December 1921
Cupid Delight Sundae
1 (1/2-inch) slice vanilla ice cream
3 tablespoons crushed pineapple
3 cubes canned or fresh pineapple
4 maraschino cherries
3 tablespoons crushed strawberries
2 Thin Walnut Wafers (see book for recipe)
Cut the ice cream in half across the long edge and place the two slices side by side on a plate. Pour the crushed pineapple over one slice and top with the pineapple cubes arranged in a circle with 1 cherry in the center. Pour the strawberries over the other ice cream slice and arrange the remaining 3 cherries in a circle on top of it. Put the wafers on the side and serve with two spoons.
1 large scoop vanilla ice cream
1 1/2 ounces (3 tablespoons) strawberry syrup
1 tablespoon cinnamon heart-shaped candies
Put the ice cream in a sundae dish and pour the syrup over the top. Sprinkle with the cinnamon candies.
1 large scoop maple nut ice cream
1 ounce (2 tablespoons) Hot Chocolate Fudge Sundae Sauce
2 tablespoons shredded coconut
whipped cream for topping
walnut-stuffed date for garnish
Put the ice cream in a sundae dish. Drizzle with the chocolate sauce and sprinkle with coconut. Top with whipped cream and garnish with the stuffed date.
“In the spring a young man’s fancy lightly turns to thoughts of love, while the young woman’s fancy yearningly turns to ice cream sodas. Better cater to her fancy.” —The Soda Fountain, March 1921
Minnesota Historical Society Press Spring 2014 Titles
Augie’s Secrets: The Minneapolis Mob and the King of the Hennepin Strip (Paperback, February 2014)
The Brides of Midsummer (First English Translation, February 2014)
When I Was a Child: An Autobiographical Novel (February 2014)
Her Honor: Rosalie Wahl and the Minnesota Women’s Movement (March 2014)
Keystones of the Stone Arch Bridge (April 2014)
Curiosity’s Cats: Writers on Research (April 2014)
Edited by Bruce Joshua Miller
Conflicted Mission: Faith, Disputes, and Deception on the Dakota Frontier (April 2014)
Linda M. Clemmons
Hungry Johnny (May 2014)
Cheryl Minnema, Illustrations by Wesley Ballinger
Toys of the ’50s, ’60s, and ’70s (May 2014)
Kate Roberts and Adam Scher
Scoop: Notes from a Small Ice Cream Shop (May 2014)
Smitten with Squash (July 2014)
When Prohibition shuttered saloons, thirsty law-abiding citizens turned to soda fountains for sustenance and entertainment. To discover more about the Eighteenth Amendment, suffragists and flappers, bootleggers and G-men, check out Soda Shop Salvation: Recipes and Stories from the Sweeter Side of Prohibition by Rae Katherine Eighmey. Her book gives readers a taste of life during Prohibition, the era featured in a new exhibit at the Minnesota History Center, American Spirits: The Rise and Fall of Prohibition.
Klondike Fizz by the drink
¼ ounce orange syrup
¼ ounce lemon syrup
1 ounce strawberry syrup
¼ cup crushed ice
carbonated water, 6 ounces, approximately
Put the syrups in a 10-ounce glass. Add a scoop of crushed ice. Fill with carbonated water and stir.
Klondike Fizz by the pitcher
½ cup lemon syrup
½ cup orange syrup
¾ cup strawberry syrup
¾ cup simple syrup (see below)
Combine syrups to make enough to flavor 3 liters of club soda: ¾ cup for each liter. Serve over crushed ice.
About flavored syrups. You can find coffee-flavoring syrups in many supermarkets or order them online. Or you can combine one tablespoon of concentrated frozen fruit juice with ¼ cup simple syrup and make your own. For party quantities of strawberry syrup, you can purchase the strawberry syrup frequently found near the maple syrup and dilute it one-to-one with simple syrup.
1 cup granulated sugar
1 cup water
Put the sugar into a small saucepan, pour the water into the sugar, and stir over low heat until the sugar is completely dissolved. Store in the refrigerator for up to a month.
Starting at 7 pm this Sunday, November 19th on tpt’s Minnesota Channel,
a night of great programming featuring MNHS co-productions with tpt!
7:00 pm Broadcast premiere of Minnesota in the ’70s
7:30 pm Special rebroadcast of Emmy-winning film, Asian Flavors
8:00 pm Broadcast premier of Minnesota & the Civil War Showcase
Where to Watch tpt MN:
Over the Air-Channel 2-2
Comcast-Channel 202 (Mpls)/Channel 243 (St. Paul)
Mediacom- Channel 102
Midcontinent Comm- Channel 15
Excerpt from Secret Partners: Big Tom Brown and the Barker Gang by Tim Mahoney
Click on the link above for more info and upcoming events with Tim Mahoney.
Among the most dangerous criminals of the public enemies era was a man who has long hidden in history’s shadows: Big Tom Brown. In the early 1930s, while police chief of St. Paul, Minnesota, Brown became a secret partner of the infamous Ma Barker gang. He helped plan the gang’s kidnappings and profited from their bank robberies, even as they gunned down cops and citizens in his hometown. He teamed up with a corrupt prosecutor to railroad men to prison, he beat confessions out of prisoners, and he was suspected by some of engineering two execution slayings.
Yet justice never caught up to Tom Brown. An overwhelming volume of evidence points to Brown’s involvement in illegal activities throughout his tenure as a policeman. But because of decisions made in St. Paul and Washington, Brown was never prosecuted for his crimes and the evidence was tested only at a civil service hearing, and not in court. The investigation of Brown never reached whatever allies he had among the city’s elite.
The Barker gang’s stalwarts, Fred Barker and Alvin Karpis, led a bumbling band of hillbilly burglars until they moved to St. Paul during Brown’s tenure as police chief. In the Ozarks, “My life in crime was minor league stuff,” admitted Karpis. But under the protection of Tom Brown, and the tutelage of St. Paul’s master criminals, his gang evolved into notorious and feared public enemies. Soon Karpis was pulling his “first genuine major league stickup,” at a Minneapolis bank.
Barker gangster Volney Davis confessed to the FBI that without the protection of Tom Brown, the gang “would have all been caught in St. Paul.” Edna Murray, the “Kissing Bandit,” told the FBI that if not for Tom Brown and James Crumley of the St. Paul police, the gang’s most infamous crime “could not have been successfully accomplished and certain members of this [Barker] mob would have been in jail a long time ago.”
Had the Barker gang never come under Brown’s protection, Ma Barker might have died lonesome in the Ozarks, an impoverished, obscure widow. Her son Fred and his pal Karpis would likely have been executed in Missouri before the nation knew who they were. The vicious killer Doc Barker would have remained in prison until he was an old man. At least seven murders and two grievous woundings might never have happened.
But Brown’s dark influence spread beyond the Barker gang. If not for the corrupt police force that crystallized during Brown’s tenure, the legend of John Dillinger might have ended on an Easter weekend in a snowy St. Paul parking lot. The Lady in Red would have been just another immigrant with visa troubles. No trap would have been set for Dillinger outside the Biograph theater. Newsreel hero Melvin Purvis might have retired as just another FBI functionary. Little Bohemia would be just another rustic Wisconsin resort, and not the site of a legendary FBI fiasco.
Many of Tom Brown’s fellow gangsters were shot dead, while others were locked up in Leavenworth or Alcatraz. But Brown proved to be the Houdini of gangster-cops. He outsmarted J. Edgar Hoover and the FBI, retiring to collect his police pension and run a tavern in the north country. Despite all the blood on his conscience, all the families whose lives he devastated, and all the dark money he collected, he never spent a night behind bars.
As part of the One Minneapolis One Read program, a new exhibit opens this week at Mill City Museum and Juxtaposition Arts with a panel discussion and opening reception on Oct. 24, 6-9 pm at Mill City Museum.
The panelists will include:
Archie Givens, President, The Givens Foundation for African American Literature
Robin Hickman, Founder, SoulTouch Productions’ In the Footsteps of Gordon Parks Legacy Initiative and a great-niece of Gordon Parks
Wing Young Huie, photographer
Jahliah Holloman, Juxtaposition apprentice
Moderator: Daniel Bergin, TPT
Minneapolis residents will have a unique opportunity to view a collection of photos by Gordon Parks and join in a community conversation around his book A Choice of Weapons, this year’s One Minneapolis One Read selection.
The exhibit will also feature approximately 30 photographs created by Minneapolis high school students alongside images by Parks, on loan from The Gordon Parks Foundation.
Taking inspiration from the book, the students worked with acclaimed photographer Jamel Shabazz at Juxtaposition Arts to create their own photographs. Shabazz will work with the students in early October during a week-long artist residency. (See feature in TC Daily Planet!)
For more information about these and other events visit the One Minneapolis One Read website.
About the Artist-in-Residence
Shabazz is an award winning photographer based in Brooklyn, NY, who has drawn influence from Gordon Parks, James Van Der Zee, Robert Capa, Chester Higgins and Eli Reed. Shabazz is also known for his community based youth work.
About the book A Choice of Weapons by Gordon Parks
One Read’s goals are to promote through literature and discussion a better understanding of race and the impacts of racism on our communities. A Choice of Weapons is a compelling autobiography, first published in 1966, about how Parks struggled against extreme poverty to find his purpose as a photographer, writer, director and musician.
A Minnesotan who developed an impressive artistic legacy that included an extensive photographic body of work, Parks documented important African-American political, artistic, cultural figures as well as daily life.
A Choice of Weapons is available in paperback at local independent and chain bookstores, online booksellers and MHS Press. It’s also available through the Hennepin County Library.
About One Minneapolis One Read
One Minneapolis One Read is presented by The City of Minneapolis, Hennepin County Library and Minneapolis Public Schools to promote literacy and respectful public dialogue. Minneapolis residents can play a positive role in their communities and explore important – sometimes difficult – issues that they face as a community by reading A Choice of Weapons and getting involved.
At its heart, One Minneapolis One Read is a community-driven effort with individuals, neighborhood groups, educators, businesses and nonprofits all coming together to make this a truly citywide read. Read the book. Join the Conversation.
One Minneapolis One Read is a collaboration of The City of Minneapolis, Hennepin County Library and Minneapolis Public Schools with support from Clear Channel Outdoor, Comcast, Gray Plant Mooty, Mill City Museum, Minnesota Historical Society Press, Minneapolis Community and Technical College (MCTC), Pillsbury House Theatre and The YWCA of Minneapolis.
About Juxtaposition Arts
Juxtaposition Arts is a youth contemporary arts program, teen-staffed design firm and nonprofit cultural development center that anchors a diverse neighborhood in North Minneapolis.
Juxtaposition’s mission is to develop community by engaging and employing young urban artists in hands-on education initiatives that create pathways to self-sufficiency while actualizing creative power. We envision the youth of north Minneapolis entering the creative workforce as dynamic innovators and problem solvers with the confidence, skills, and connections they need to accomplish their goals and contributed to the revitalization of the communities where they live and work.
Juxtaposition believes that the creative genius of youth is an underutilized community asset. Since 1995, the organization has nurtured connections between underserved Twin Cities’ youth and artists and the region’s vibrant art and design communities.
About the Minnesota Historical Society
The Minnesota Historical Society is a non-profit educational and cultural institution established in 1849. The Society collects, preserves and tells the story of Minnesota’s past through museum exhibits, libraries and collections, historic sites, educational programs and book publishing. Using the power of history to transform lives, the Society preserves our past, shares our state’s stories and connects people with history.