Archived Posts from this Category
Archived Posts from this Category
Today’s post is by Sara DeLuca, author of The Crops Look Good: News from a Midwestern Family Farm. Sara will be touring Wisconsin later this month. (Click on the title link for her event schedule, media interviews, and book club guide.)
This photo of me with my granddaughter, Emma Drury, was taken at Folsom House in Taylors Falls, Minnesota, on April 25, 2015. We were celebrating the recent publication of my book, The Crops Look Good: News from a Midwestern Family Farm. Based on a collection of family letters, the book is an intimate portrayal of family farm life in the region – first-person history, written as it was being lived. My mother’s letters to her eldest sister, beginning when she was seven and continuing throughout middle age, make a significant contribution to the story.
The Folsom House event on April 25 was very special to me, for several reasons.
Fifteen-year-old Emma planned and hosted my reading in this gracious home, built in 1855 by lumberman, historian, and Minnesota state senator W. H. C. Folsom. Five generations of the Folsom family occupied the house, which still contains their original furnishings, library, and personal effects. It is now operated by the Taylors Falls Historical Society, in partnership with the Minnesota Historical Society.
My parents, Harvey and Helen Hellerud, who farmed for decades in Polk County, Wisconsin, retired in 1976 and moved across the St. Croix River to Taylors Falls. As an accomplished pianist, my mother entertained Folsom House visitors on the Hews rectangular grand piano (shown in the background of this photo) on many occasions. She also served as a volunteer guide during the 1980s and 1990s. Her affiliation with the Taylors Falls Historical Society was a great joy to her during many productive years of retirement.
Now Helen Hellerud’s great-granddaughter Emma is volunteering at this beautifully preserved historic site. And I have enjoyed the privilege of sharing my book about a place that has been important to my family and history lovers throughout the Upper Midwest.
Here is a poem I wrote ten years ago, in recognition of a rich heritage, a craving for deep identity, and our interwoven lives.
We find a bright, prolific crops of dandelions
splashing the vacant lot behind my mother’s house.
She’s eighty-nine this spring, but she remembers being nine,
braiding yellow heads and milky stems, crowning
and necklacing herself with blooms.
Now she demonstrates for me
and for my grandchild Emma – six years old –
how you can braid an ornamental rope from flowers.
The trick, my mother says,
is working three stems at a time, all different lengths.
When one runs out you splice a new one in its place –
that way you never break the chain.
Emma plops down in the deep wet grass.
Mom squats. I kneel
between the generations.
We laugh at rough beginnings, ragged endings,
but we persevere. We practice,
practice till we get it right, Emma, Mom and me,
our heads bent low, lost
in a field of yellow tassels.
When our circles hold
and crown each other with our handiwork.
Book-loving Minnesotans, here’s a word to the wise and a great opportunity: AWP—the Association of Writers and Writing Programs—is holding its annual meeting at the Convention Center in Minneapolis next week, April 9-11. This is a Very Big Deal: more than 12,000 attendees, 1,900 presenters, 550 sessions, scores of free offsite events, and—best of all—a book fair with 700 publishers and literary organizations strutting their stuff. You can register for a day pass here.
AWP is an overwhelming experience, with so many delicious options. Thousands of energetic teachers and writers of fiction, nonfiction, and poetry are gathered to talk about what we’re doing, where we’ve been, where we’re going with books and literature. The program is tantalizing, and you can’t be everywhere at once. Laura I. Miller, a seasoned attendee, has compiled a helpful list of tips for doing AWP. Me? I often retreat to our book table, where every person stopping by has a good story.
At the MNHS Press exhibit, we’re proudly showing off books by our fine authors. But my colleagues and I are also on a mission—a treasure hunt for books-to-be on the history and culture of Minnesota and the Upper Midwest. We’re searching for manuscripts with strong Midwestern themes and a strong sense of place: Well-researched and well-written stories that use the best tools of narrative journalism to tell history for general audiences. Narrative nonfiction on food, adventure and travel, true crime, war and conflict, Native American studies, environment and the land, popular culture, and women’s and ethnic histories. Good books to help people live richer lives in Minnesota and beyond.
Thursday, April 9 from 10:00-11:30 we’re hosting a signing with Bruce Joshua Miller and Ned Stuckey-French, editor and contributor to Curiosity’s Cats: Writers on Research. Contributors to Blues Vision: African American Writing from Minnesota will be dropping by to sign on Saturday morning. Stop by to say hello and get a copy!
MNHS press director, Pam McClanahan, editors Shannon Pennefeather and Josh Leventhal, and sales manager Jerry Bilek and I look forward to seeing you at Booth 412—and hearing what you’re writing about.
Ann Regan, MNHS Editor-in-Chief
“This book tells the story of one of the most vital and important theater companies of our time.”
Oskar Eustis, The Public Theater
Join us tonight for the Book Launch Celebration at Open Book in Minneapolis for:
All the Lights On: Reimagining Theater with Ten Thousand Things by Michelle Hensley
Monday, March 9, 2015
Open Book: 1011 Washington Ave. S., Minneapolis
Doors open at 6:30 pm, short program begins at 7:00 pm, followed by book signing
Also available via HowlRoundTV today at 5pm Pacific / 8pm Eastern via http://livestream.com/newplay
“Ten Thousand Things brings the best possible theater, plays of Shakespeare and Aeschylus and Beckett, to audiences who have seen little of it before, those in prisons and shelters and adult education centers and rural towns and housing projects and Indian reservations and chemical dependency treatment centers, as well as to enthusiastic veteran theatergoers in consistently sold-out performances for the general public, all performed in large bare rooms, with no stage, just right on the floor inside a small circle of folding chairs, with all the fluorescent lights in the room turned on. Our budget is modest, we don’t need our own building, our set supply budget is little more than that of our very first show, but we pay our highly skilled artists on a par with the largest theater companies in town. We have even become Johnny Appleseeds of a sort, taking this unique model to other theaters around the country who are also eager to find ways to reach outside their buildings with excellent work. And all along this journey, the honest, openhearted encounters of our first-time audiences with our first-rate artists have led us to make wonderful discoveries about theater—pinpointing just what makes it thrive and flourish.” Michelle Hensley, from All the Lights On
Please join us Thursday February 5, 2015 from 6-9 pm at the Minnesota History Center to celebrate the publication of Blues Vision: African American Writing from Minnesota edited by Alexs Pate with co-editors Pamela R. Fletcher and J. Otis Powell‽.
Blues Vision is a surprising and compelling anthology that reveals complex realities—beautiful, infuriating, painful, and uplifting—as described by African American writers in Minnesota over the past century.
The book is co-published with the Minnesota Humanities Center, sponsor of this anthology, which was made possible in part by the Arts and Cultural Heritage Fund through the vote of Minnesotans on November 4, 2004.
Book Launch Celebration
Thursday February 5, 2015 from 6-9 pm
Minnesota History Center
345 Kellogg Ave. W. St. Paul, MN
6-7 pm Refreshments & cash bar
7-8 pm Book Talk and Readings by Contributors
8-9 Book Signing
Share the Facebook invitation
In this video, architectural historian and award-winning author Larry Millett and photographer Matt Schmitt walk us through the Lawrence S. Donaldson house in Minneapolis, one of the twenty-two homes profiled in their new book, Minnesota’s Own: Preserving Our Grand Homes. The home was the recipient of a 2014 Minnesota Preservation Award.
Join us for the book launch celebration at the American Swedish Institute next Wednesday, November 5, at 6:30 pm. The event is free and open to the public, but reservations are recommended.
Also of interest: Historic Preservation Tour at the American Swedish Institute with architect Laura Faucher. This special tour begins at 5:00 pm, before the Minnesota’s Own book launch. The tour is $10 for ASI and MNHS members/$12 for nonmembers. Registration is required and space is limited.
Fractured Land: The Price of Inheriting Oil by Lisa Westberg Peters begins with the passing of the author’s father and the questions his estate will raise:
“When my father dies, my mother will inherit his mineral rights. Eventually my siblings and I will inherit hers. At that point, I will benefit from drilling techniques that require millions of gallons of water, dozens of chemicals, some of them unknown even to regulators, and the safe disposal of toxic wastes.
It would make quite a headline:
Environmentalist Rakes in ND Oil Profits
And so I sit on an uncomfortable fence. On one side is a sea of oil that fouls beaches and birds and contributes to climate mayhem. On the other side is a sea of oil—my family’s oil!—that provides jobs for thousands of people, financial breathing room for my parents, and wealth for the long-suffering state of North Dakota.
Nope. You can see, I’m sure, how a hospice room is not exactly the place for that kind of discussion.
My dad sees the picture of an old North Dakota oil well—or it’s going to be an oil well as soon as they hit pay dirt—and does a thumbs-up.” –from Fractured Land
Join us this Thursday, October 9, at 7 pm at Common Good Books to hear Lisa Westberg Peters talk about the dilemma we all face–how our personal lives intersect with the energy industry and the environment–and her new book, Fractured Land.
Slouching Toward Fargo
A Two-Year Saga of Sinners and St. Paul Saints at the Bottom of the Bush Leagues with Bill Murray, Darryl Strawberry, Dakota Sadie, and Me
By Neal Karlen
With a Foreword by Mike Veeck
The Casey Award–winning account of life in the minor leagues, celebrating the game, the characters who love it, and the magic that can happen when a town, a team, and a ball player get a second chance.
Meet the author!
Tuesday September 16, 2014 at 7 pm
Subtext Bookstore, St. Paul
In his classic account of two years with the most audacious bush league ballclub ever to plumb the bottom of the pro sports barrel, Neal Karlen presents a dizzying collection of characters: co-owners comedian Bill Murray and sports impresario Mike Veeck; baseball’s former winningest pitcher Jack Morris; outfielder Darryl Strawberry, on his way back to the majors; the back-rubbing Sister Rosalind; baseball’s first woman player Ila Borders; frantic fans, a ball-carrying pig, a blind sportscaster, and a host of others. They all prove the credo of the Saints: Fun is Good.
“Hilarious, insightful, touching, informative, Neal Karlen’s baseball account delivers a world of vivid characters and ironic redemptions. Karlen is simply one of the best, most sophisticated, and literate practitioners of journalism we have. He goes out and gets the full story, while turning himself into a wonderfully self-mocking, truthful, and likable narrator. I loved every page of this book.”
—Phillip Lopate, author, essayist, and film critic
“Two things make it great: characters and story line. The tale is rendered in hilarious fashion, mixing plenty of baseball with plenty of laughs.”
—Rocky Mountain News
“A fun-is-good book . . . [with] enough oddballs to make Alice’s Adventures in Wonderland seem like a straightforward account of a schoolgirl’s visit to a theme park.”
“The funkiest team in baseball.”
—The New York Times
$17.95 paper, available September 2014
384 pages, 5 1/2 x 8 1/4, 51 b&w photos, index, 978-0-87351-951-9
Available September 2014 from Minnesota Historical Society Press
A signed book makes a great gift! Meet some of our authors at these delightful indie venues, and get a signed book for everyone on your holiday list.
Saturday December 14
Sunday December 15
6:00 pm Neal Karlen shares his book Augie’s Secrets at Grand Cafe in Minneapolis as part of their Fork in Forum progam ($45 and requires reservation)
Wednesday December 18
Saturday December 21
Sunday December 22
Local foods have garnered much attention in recent years, but the concept is hardly new: indigenous peoples have always made the most of nature’s gifts. Their menus were truly the “original local,” celebrated here in 135 home-tested recipes paired with stories from tribal activists, food researchers, families, and chefs.
Heid E. Erdrich shares family and community recipes in her new cookbook, Original Local: Indigenous Foods, Stories, and Recipes from the Upper Midwest.
Join us tomorrow, Friday, November 22, at 7 pm at St. Paul’s Episcopal Church (1917 Logan Avenue South) in Minneapolis at the book launch hosted by Birchbark Books to sample recipes from the book prepared by Chef Jason Champagne.
Click here for more info, recipes, and interviews with Heid!
As part of the One Minneapolis One Read program, a new exhibit opens this week at Mill City Museum and Juxtaposition Arts with a panel discussion and opening reception on Oct. 24, 6-9 pm at Mill City Museum.
The panelists will include:
Archie Givens, President, The Givens Foundation for African American Literature
Robin Hickman, Founder, SoulTouch Productions’ In the Footsteps of Gordon Parks Legacy Initiative and a great-niece of Gordon Parks
Wing Young Huie, photographer
Jahliah Holloman, Juxtaposition apprentice
Moderator: Daniel Bergin, TPT
Minneapolis residents will have a unique opportunity to view a collection of photos by Gordon Parks and join in a community conversation around his book A Choice of Weapons, this year’s One Minneapolis One Read selection.
The exhibit will also feature approximately 30 photographs created by Minneapolis high school students alongside images by Parks, on loan from The Gordon Parks Foundation.
Taking inspiration from the book, the students worked with acclaimed photographer Jamel Shabazz at Juxtaposition Arts to create their own photographs. Shabazz will work with the students in early October during a week-long artist residency. (See feature in TC Daily Planet!)
For more information about these and other events visit the One Minneapolis One Read website.
About the Artist-in-Residence
Shabazz is an award winning photographer based in Brooklyn, NY, who has drawn influence from Gordon Parks, James Van Der Zee, Robert Capa, Chester Higgins and Eli Reed. Shabazz is also known for his community based youth work.
About the book A Choice of Weapons by Gordon Parks
One Read’s goals are to promote through literature and discussion a better understanding of race and the impacts of racism on our communities. A Choice of Weapons is a compelling autobiography, first published in 1966, about how Parks struggled against extreme poverty to find his purpose as a photographer, writer, director and musician.
A Minnesotan who developed an impressive artistic legacy that included an extensive photographic body of work, Parks documented important African-American political, artistic, cultural figures as well as daily life.
A Choice of Weapons is available in paperback at local independent and chain bookstores, online booksellers and MHS Press. It’s also available through the Hennepin County Library.
About One Minneapolis One Read
One Minneapolis One Read is presented by The City of Minneapolis, Hennepin County Library and Minneapolis Public Schools to promote literacy and respectful public dialogue. Minneapolis residents can play a positive role in their communities and explore important – sometimes difficult – issues that they face as a community by reading A Choice of Weapons and getting involved.
At its heart, One Minneapolis One Read is a community-driven effort with individuals, neighborhood groups, educators, businesses and nonprofits all coming together to make this a truly citywide read. Read the book. Join the Conversation.
One Minneapolis One Read is a collaboration of The City of Minneapolis, Hennepin County Library and Minneapolis Public Schools with support from Clear Channel Outdoor, Comcast, Gray Plant Mooty, Mill City Museum, Minnesota Historical Society Press, Minneapolis Community and Technical College (MCTC), Pillsbury House Theatre and The YWCA of Minneapolis.
About Juxtaposition Arts
Juxtaposition Arts is a youth contemporary arts program, teen-staffed design firm and nonprofit cultural development center that anchors a diverse neighborhood in North Minneapolis.
Juxtaposition’s mission is to develop community by engaging and employing young urban artists in hands-on education initiatives that create pathways to self-sufficiency while actualizing creative power. We envision the youth of north Minneapolis entering the creative workforce as dynamic innovators and problem solvers with the confidence, skills, and connections they need to accomplish their goals and contributed to the revitalization of the communities where they live and work.
Juxtaposition believes that the creative genius of youth is an underutilized community asset. Since 1995, the organization has nurtured connections between underserved Twin Cities’ youth and artists and the region’s vibrant art and design communities.
About the Minnesota Historical Society
The Minnesota Historical Society is a non-profit educational and cultural institution established in 1849. The Society collects, preserves and tells the story of Minnesota’s past through museum exhibits, libraries and collections, historic sites, educational programs and book publishing. Using the power of history to transform lives, the Society preserves our past, shares our state’s stories and connects people with history.